30 Women Novelists You Should Know – #17 Laura McBride

As the holiday season approaches, I join all novelists in secretly wishing people across the land would awaken to find shiny copies of my book under their tree or menorah or waiting for them on the kitchen table. Hope you’ll find some inspiration for literary gifts in these posts about women novelists you should know.

“You’ve got to read this book.”

I learned about Laura McBride in the best way. A friend I trust said, “You’ve got to read this book.” The book was We Are Called to Rise, and the title alone (from an Emily Dickinson poem) would have drawn me. But I might not have stumbled across the title without my friend’s recommendation.

In We Are Called to Rise, four tragic story lines are narrated by four diverse characters: a woman whose marriage is collapsing and whose son has returned damaged from his third deployment in a war zone, a 22-year-old soldier recovering from a mysterious war wound, a middle-aged woman who advocates for children involved in court cases, and an 8-year old Albanian boy who is adapting far more swiftly than his parents to the strange world of America. All of these stories converge into one moment of hope in a gritty, sun-blasted Las Vegas no tourist will ever see.

I particularly appreciated the sections written in the point of view of Bashkim, the young boy. I often find child narrators annoying – either too cutesy or preternaturally wise. Bashkim is unusually mature and responsible, but in the way that is typical of the children of immigrants, who must serve as their parents’ translators and protectors in their new world.

The book brings the four main characters to life, with all their shortcomings and desperation, and the deep daily heroism of trying to do their best in a world where events sometimes seem to lack all meaning. Las Vegas, perhaps our country’s strangest city, also takes a star turn in this novel that is all about what is not visible on the surface.

A mature sensibility

This is Laura McBride’s first novel. She was 53 years old when it was published, and you can sense the mature mind and heart behind the text. For example, in this passage McBride takes us inside the thoughts of Avis, the woman whose son has returned from war as a frightening stranger. She grew up in poverty and chaos, and has managed to eke out a happy, stable life for herself. Now in middle age, she sees it beginning to disintegrate:

It all matters. That someone turns out the lamp, picks up the windblown wrapper, says hello to the invalid, pays at the unattended lot, listens to the repeated tale, folds the abandoned laundry, plays the game fairly, tells the story honestly, acknowledges help, gives credit, says good night, resists temptation, wipes the counter, waits at the yellow, makes the bed, tips the maid, remembers the illness, congratulates the victor, accepts the consequences, takes a stand, steps up, offers a hand, goes first, goes last, chooses the small portion, teaches the child, tends to the dying, comforts the grieving, removes the splinter, wipes the tear, directs the lost, touches the lonely, is the whole thing.

We Are Called to Rise has gotten wonderful reviews, and appeared on the published “must read” lists of such literary luminaries as Isabel Allende. But for me the most powerful inducement was my friend, telling me this was a book I could not miss.

Laura McBride

30 Women Novelists You Should Know – #16 Brenda K. Marshall

The world is full of glorious novelists who don’t appear on best-seller lists or magazine covers, who support themselves with other work while they quietly produce their gifts to the universe. I think Brenda K. Marshall is one of these.

Gifts to the universe

She teaches at the University of Michigan, and her first book was a work of pedagogy called Teaching the Postmodern. Then she moved to fiction with her first novel, Mavis, published in 1996.

But I didn’t discover Brenda Marshall until 2010 when a member of my book group, who was friends with Marshall and also taught at Michigan, suggested we read Marshall’s latest novel, Dakota, Or What’s a Heaven For? The book was a revelation.

The violent birthing of a state

In the novel, two educated young women from Philadelphia move with their families to the Dakota territories in the sod-busting, homesteading years before Dakota become a state (much less two). One woman is in love with the other, and marries the brother of the woman she loves so they can stay close. The deft, confident narrative swoops from this woman to a young girl from Norway to an old politician who describes himself as “pretty close to honest,” to a rapacious profiteer. If you read the introductory chapter you’ll get a good sense of the novel: smart, witty, and fresh.

Marshall brings the reader inside the experience of the violent birthing of a state. You see the bleak, majestic prairies, the families struggling to stay clean in their houses made of earth, the women trying to tame this new world and their own hungers, the men whose only language is money, making back room deals that will ruin families and futures they care nothing about.

She doesn’t shy away from the harsh realities of the frontier experience, giving her lively attention to the brutality faced by Indians and immigrants alike, the venality of the men who carved up the country for their own benefit, and the suffocating, inescapable power that men held over women who had no right to call anything their own.

“A secret is a story we keep to ourselves.”

The characters are engaging, from sharp, energetic Frances with her hopeless love for her sister-in-law to a camp cook who hides more than one secret. In fact, many people in the novel have secrets they hold close. What’s a frontier for, if not to reinvent yourself?

“A secret is a story we want to keep to ourselves,” Brenda K. Marshall said in an interview on The News in Books blog. “A story doesn’t have to be true to be powerful. If you tell a story enough about yourself, you can convince yourself that it’s true.”

Brenda K Marshall

Update: My book, out in the world

A friend sent me this photo of her morning. Don’t know about you, but it looks delightful to me.

Irma HOV and coffee

I invite you to take a photo of yourself reading Her Own Vietnam – or some atmospheric photo of the book itself – and send it to me at Lynn@lynnkanter.com. I’ll post some of them here.

Go wild. Be creative.

30 Women Novelists You Should Know – #15 Andrea Levy

Now that my novel Her Own Vietnam is out in the world, I’m going back to writing about 30 Women Novelists You Should Know. We’ve reached the halfway mark with Britain’s Andrea Levy.

How many ways can you say “wow!”?

Andrea Levy has won so many literary prizes in England, it’s as if they ran out of superlatives to use when describing her work. Her 2004 book Small Island won not only the Whitbread Novel award, but the Whitbread Book of the Year award. Not only did it receive the Orange Prize for Fiction, it also won the Orange Prize ‘Best of the Best’ award.

Four voices, four futures

As far as I’m concerned, the novel deserves all of these accolades and more. It’s a beautiful and powerful story of two couples in England in the years after World War II.

Hortense and Gilbert are Jamaican immigrants who had been taught to consider England their mother country, and are shocked by the hostile welcome they receive. Queenie is a white working class woman who married Bernard to escape her destiny working on the family pig farm, and then found London and her husband to be not at all what she expected. The novel is told from the point of view of all four characters, as the major issues of their (and our) time – war, immigration, race, the personal courage to do the right thing – shape their lives and their world in unimaginable ways.

 A faithful TV adaptation

The BBC adapted Small Island into a two-part television miniseries. It was one of the most faithful novel-to-TV adaptations I’ve seen. Watching it felt like revisiting the book. I think the care the producers took in adapting the book is reflected in the similarity between the original cover for the novel (L) and the cover image for the video (R).

Small Island book cover

Small Island book cover

 

 

 

 

BBC Video Cover Image

BBC video cover image

 

 

 

 

 

 

 

 

More books to come

Andrea Levy started to write when she was in her thirties. Today, in her fifties, she has written four other novels in addition to Small Island, as well as two collections of short stories, many of which also won important literary prizes. I’m excited to think about all the Andrea Levy books still to be read.

Andrea Levy new

30 Women Novelists You Should Know – #14 Zelda Lockhart

Only 10 more days until my novel Her Own Vietnam is published, but 16 more fabulous women novelists to explore. Today: Zelda Lockhart.

Powerful and harrowing

You might say that Zelda Lockhart is a friend of mine. Bu since we haven’t seen each other since 2002, does that make us merely acquaintances? Friend, acquaintance, whatever – she’s a gifted writer.

Zelda’s first novel, Fifth Born, is a powerful and harrowing story of a young girl’s search for belonging as she tries to separate herself from her abusive family and their almost inescapable history. The novel has one of the most striking covers of any book on my shelves.

Fifth Born

Cold Running Creek is historical fiction based in the time surrounding the Civil War. It avoids the usual characters that populate many novels set in that era, and instead focuses on the struggles of Native American and African American women as they try to survive  during the waning days of slavery and the violent theft of Indian land. Fifth Born II: The Hundredth Turtle builds on Zelda’s debut novel, moving its protagonist Odessa from Mississippi and Missouri to New York City amidst the upheaval of social movements in the 1970s and 80s.

A quiet grief

In the Spring 2014 edition of the beautiful literary journal Referential Magazine, Zelda has a moving short story called The Empty Nest. In it, the narrator describes her daughter’s approaching adulthood as “the slow departure from my intentions.” If any phrase better encapsulates the quiet grief of parents as their children do what they must do and grow apart, I haven’t encountered it.

A busy woman

In addition to writing, Zelda Lockhart teaches, leads workshops, does public speaking, and is the director and founder of LaVenson Press Studios in North Carolina. There women writers can find their voices, sharpen their skills, and create a community. Zelda is making a place for herself and her sisters, in the heart of the written word.

Zelda Lockhart